Kindness of Strangers

Monday, March 9, 2009

“The last time I was in this airport it was a lot dumpier and I was drunk,” said Maikael, as we cruised, stone-cold sober, towards immigration at Mariscal Sucre International Airport in Quito. He visited the city as a 16 year-old boy on a spring break trip from Costa Rica Academy, at the invitation of a friend who lived in Quito, whose father was the head of Peace Corps operations for Ecuador. We’ve talked about Maikael’s memories of that trip over the years while thumbing through faded photos from March 1993. There was the Middle of the World monument, where Maikael was pictured happily straddling the equator. He remembers being whisked through immigration with the flash of an official black passport from his friend’s father. He remembers the country being poor, highly indigenous, and very cold and rainy.

Things have changed dramatically in 16 years. Maikael gawked at the shiny, modern airport, where our passports were stamped electronically. Quito is now a sprawling city, a sea of never-ending traffic choking the highways and thoroughfares. “There were hardly any cars back then,” Maikael recalled. One afternoon we strolled through a gigantic mall constructed in a Spanish style, a gleaming white palace stuffed with a huge supermarket, a deluxe movie theatre, and fast food restaurants. The Middle of the World complex, once a simple monument, is now a full-blown complex of tourists shops.

Interestingly, just like the last visit, we were invited to stay in Quito with friends. We were met at the airport by Dot and Rich, friends of Cecilia’s from her working days in Seattle, who I had met only a few times. They retired here eight years ago, practically sight unseen and speaking zero Spanish. Dot and Rich built a beautiful house on the outskirts of Quito, overlooking a lush green valley, and still speak very little Spanish! “Ecuador is great, except for the silly language,” Dot joked. Amazingly, they get by just fine, proving that confidence is the most important ingredient in successfully living overseas. On the way home from the airport, they regaled us with stories of trips to jails (”I was on my way home from a party and there were beautiful cream puffs and empanadas in the car, so I asked if I could bring them inside,” said Dot), lost licenses, brushes with police, home invasions, and all manner of things that would have scared me to death, but that they seem to have faced with humor and flexibility. Not only that, but they mix a mean drink!

Dot and Rich have shown us a wonderful time in sunny Ecuador, treating us to home-cooked meals, letting us soak in their spa, providing us beautiful surroundings in which to relax, and organizing day trips. On Saturday they drove us to Otavalo Indian Market, one of the few places Maikael remembered from his first trip to Quito. Known for their weaving, Maikael had bargained hard for a wool wall hanging emblazoned with indigenous symbols, which now hangs proudly in our living room. “I think I got it for $5,” Maikael said. Like the rest of Ecuador, the market has grown considerably over 16 years. Once a small affairs with few tourists, the Saturday market sprawls over several streets and is teeming with English-speakers. But the Otavalo, as well as indigenous people from neighboring communities, still man the stalls. The women wear frilly embroidered tops with long navy skirts, their necks laden with gold beads, the number and size denoting their status in the community. They are joined by the men, clad in crisps white linen, their long, shiny braids snaking down their backs.

We stopped for lunch at a restaurant, admiring the vaguely familiar wall hangings that flanked the walls. “Most of those are probably knitted by Jose C.,” said Rich. “He is one of the most well-known weavers in Ecuador,” he continued, Jose Cotacachi’s father having been a renowned weaver. Maikael turned to me. “Isn’t our wall hanging signed by a Jose somebody?” he asked. “Most of the hangings at the market aren’t signed by anybody,” said Rich.

We purchased a lovely little painting, depicting a traditional village scene with a shaman; a knitted wool plant holder, which Ecuadorians hang from their ceilings; and a handmade puppet dressed as a traditional Otavalo woman. On our way out of town, Dot said she needed to stop at Jose C.’s studio to drop off a thank-you note, as he had donated a weaving for an auction she had organized. As we crouched through the doorway of the rustic studio, we gasped. The most beautiful weavings we had seen in all of Peru and Ecuador filled our field of vision, a wash of color and exquisite shapes, all executed with exceptional mastery. We rounded the bend, and there hung a weaving with nearly the same design as the one that hung on our living room wall in Albuquerque, New Mexico. “We have a Jose C. original!” we cried. Unfortunately Jose was out, but Maikael excitedly explained to his wife that he had bought one of his wall hangings 16 years ago. The wall hangings go for more than $5 these days, but an hour later we emerged from the studio with two new wall hangings for our apparent Jose C. collection: a striking crimson design with birds and a gorgeous geometric weaving depicting the Incan calendar.

Some things never change.